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CHRISTOPHER PLUMMER TO RETURN TO THE STAGE JANUARY 2011 IN HIS TONY AWARD-WINNING ROLE: "BARRYMORE"
TORONTO, Sept. 1 /CNW/ - CHRISTOPHER PLUMMER, the two-time Tony and two-time Emmy Award winning actor and a 2009 Academy Award® nominee ("The Last Station"), will reprise his Tony Award-winning portrayal of the legendary actor, John Barrymore, in William Luce's acclaimed Broadway play, BARRYMORE, for a strictly limited engagement of thirty performances at Toronto's historic Elgin Theatre from January 27 - March 9, 2011.
Having premiered at Canada's Stratford Festival in September 1996, BARRYMORE subsequently toured several US cities, and opened at Broadway's Music Box Theatre in March 1997. For his indelible portrayal, Plummer won the 1997 Tony Award for Best Performance by a Leading Actor in a Play. He also won the Drama Desk Award, the Edwin Booth Award and Outer Critics Circle Award for Best Actor in a Play.
One of the world's most distinguished classical stage and film stars, Christopher Plummer has also been hailed as the finest Shakespearean actor to emerge from North America in the 20th Century. He is currently starring to critical acclaim as Prospero in Des
McAnuff's production of Shakespeare's "The Tempest" at Canada's Stratford Festival with performances through September 13th, and his newest motion picture, "Beginners," co-starring Ewan McGregor, has been selected as a special presentation at this year's Toronto
International Film Festival, with the premiere scheduled for September 11th.
The entire original creative team of BARRYMORE will be reunited for the Toronto presentation including three-time Tony Award-winning director, GENE SAKS, scenic and costume designer SANTO LOQUASTO, and lighting designer NATASHA KATZ. BARRYMORE will be presented by TD and is being produced by KEVIN ALBRECHT, STEVE KALAFER and PETER LEDONNE.
"TD is proud to present Christopher Plummer's return to the Toronto stage in this historic engagement," said TD's Vice President-Global
Brand & Corporate Marketing, DIANNE SMITH-SANDERSON. "We're thrilled to be part of such a unique sponsorship opportunity with the potential to expand more broadly across the border and reflect our presence in North America."
BARRYMORE offers an unforgettable portrayal of legendary actor, John Barrymore, a man of colossal talent and contradictions, also
considered one of the greatest Shakespearean actors of all time. Set in 1942, the final year of John Barrymore's life, BARRYMORE takes place on the stage of a Broadway theatre, where the actor is struggling to recreate his performance in the title role of Shakespeare's Richard III. Playwright William Luce ("The Belle of Amherst") shows us the many facets of this complicated man and
dazzling actor: the wives and the women... the drink and the profanity... the notoriety and the glory...in a portrait that's "fiendishly entertaining and blistering sad," and made all the more indelible with Christopher Plummer's "achingly funny, memorably strong
and debonair performance (_The New York Times_)."
Actor, JOHN PLUMPIS, is featured in BARRYMORE in the role of "Frank," the unseen, off-stage prompter/stage manager who assists John Barrymore with running his lines and coaxing out a performance.
BARRYMORE will be performed on Monday-Wednesday and Friday-Saturday evenings at 8:00pm. Tickets will go on public sale on October 2nd.
For additional information about BARRYMORE, please visit www.BarrymoreThePlay.com.
AN IDEAL HUSBAND - Shaw Festival
Theatre ReviewProduction: An Ideal Husband
Author: Oscar Wilde
Company: Shaw Festival
Director: Jackie Maxwell
Principal Actors: Steven Sutcliffe, Catherine McGregor, Patrick Galligan, Moya O’Donnell
Venue: Festival Theatre
Location: Niagara-on-the-Lake, Ontario
Run: April 9 to October 31, 2010
Reviewed by: James Karas
This year, the Shaw Festival opened with Oscar Wilde’s 1895 comedy An Ideal Husband. If you remove the wit, the epigrams and the balanced sentences from the play, you will end up with a melodrama that no Artistic Director would touch with a ten-foot instrument. In the hands of Wilde, however, melodrama becomes scintillating comedy.
I wish I could say that director Jackie Maxwell and designer Judith Bowden have put together a production that does justice to the play and to the audience.
Sir Robert Chiltern (Patrick Galligan) is happily married, has a big house, is wealthy and is Under-Secretary for Foreign Affairs. He is a man of rectitude, ability, honour and…well, he is too good to be true. His wife, Lady Chiltern (Catherine McGregor), another upstanding person, simply adores him.
His nemesis quickly appears in the person Mrs. Chevely (Moya O’Connell) who wants to blackmail him. She knows that Sir Robert made his fortune by using insider information and therefore is a fraud - she even has a letter to prove it.
How does one stop Mrs. Chevely from wreaking havoc in this man’s life and what will his wife say if she finds out. That is a toughie but the Chiltern’s good friend and man-about-town Lord Goring (Steven Sutcliffe) may find a solution. Where did Mrs. Chevely get that nice brooch that she was wearing last night?
For much of the first two acts, the audience sat in almost funeral silence. They emitted a bit of laughter here and there but not much. During the last two acts there was some more laughter but Wilde’s play was getting a very poor return on its excellent lines.
What went right? Catherine McGregor, dressed beautifully (as were most of the women) managed to exude the upper-crust English hauteur. Moya O’Connell’s Mrs. Chevely was from the same class but a nasty blackmailer and abuser. Well done. Anthony Bekenn managed to get most of the laughs as the imperturbable servant Phipps.
What went wrong? Just about everything else. The play opens in a gorgeous two-story room full of people, in the Chiltern residence. Here we have a dimly lit room, almost all black and seriously in need of a decorator with a modicum of good taste. It is a depressing and simply awful set. Lord Goring’s apartment looks like a warehouse that is about to be converted into lofts and his smoking room looks like a storage area. Again, simply awful.
The play requires the crisp, upper-crust English accent that makes the wit and epigrams sound as if they were cut from glass. Can Canadian actors do such an accent? If they can they are few and far between and there was little evidence of that in this production. Patrick Galligan can play many roles but he does not convince us that he is made of fine-grained prime ministerial timber. Steven Sutcliffe comes closer as Lord Goring but he is a long way from the accent of the nobility. And what was that ridiculous vest with an apron doing on him? He is supposed to be stylish not a dork.
This Ideal Husband needs to lighten up. First, literally by turning up the lights and giving the set a good paint job with light-coloured tints. Then get the actors to pick up the pace, brush up on those accents and generate some energy and some laughter before the season is quite over.
Give it a base hit.
ONE TOUCH OF VENUS - Shaw Festival
Theatre Review
Production: One Touch of Venus
Author: Kurt Weill (music), Ogden Nash (lyrics), Ogden Nash and S.J. Perelman (book)
Company: Shaw Festival
Director: Eda Holmes
Principal Actors: Robin Evan Willis, Kyle Blair, Deborah Hay, Mark Ure
Venue: Royal George Theatre
Location; Niagara-on-the-Lake, Ontario
Run: May 16 to October 10, 2010![]()
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Reviewed by: James Karas
The production of a musical is de rigueur at the Shaw but great credit is due to Artistic Director Jackie Maxwell for choosing works of substantial quality that have been almost forgotten. This year’s selection is One Touch of Venus by Kurt Weill, Ogden Nash and S.J. Perelman. It was a big hit when it opened on Broadway in 1943 but it has been revived only sporadically ever since.
Weill, Nash, and Perelman make an all-star team for writing a musical. The result may not have been stellar but it is a work with wit, humour and some superb music. If some of the wit is out of the reach of today’s audience it is not the fault of the writers as times and context change.
One Touch of Venus is a fairy tale about a statue of the goddess of love coming to life in New York and falling in love with a hapless barber named Rodney Hatch (Kyle Blair).
Venus (Robin Evan Willis) disposes of Rodney’s screeching fiancée Gloria (Julie Martell) - sic transit Gloria – and the two lovers survive some scrapes including a stint in jail. But the two finally come through and are finally free to live happily ever after in a suburb of New York!
The production, in the small but elegantly cozy Royal George Theatre, has the equivalent feel of watching the race scene from Ben-Hur on a 19” TV after seeing it on the big screen. You get the benefit of being close to the stage but that does not make up for the lack of a large stage for a large Broadway musical.
You get a lot of music from a 10-piece orchestra but it is a compromise. How much better would it sound with 28 instruments in a large theatre?
As for the performers, Robin Evan Willis has a gorgeous body that even Venus would have approved of – the Venus de Milo and the slim-hipped, all-too-angelic rendition of Botticelli. If Willis’ face does not quite satisfy one’s image of Venus, it is probably because no woman can. Unfortunately, her vocal ability does not match the curves of her body. She needs to soar at times but, alas, she cannot and all you get is volume instead of high notes.
Kyle Blair does a good comic job as the henpecked barber who has landed a goddess but his voice falls short of expectations. When he attempts to ascend the musical scale, he comes perilously close to releasing a flat screech.
The idea of an incarnated Venus is so delicious it energizes the imagination like a fairy tale remembered from childhood. If the production does not satisfy all our theatrical appetites the way nectar and ambrosia sated the gods, we do not leave the theatre hungry.
No doubt one can visualize a better production of One Touch of Venus just as one can imagine a better Venus but the one is more difficult to achieve than the other. In the meantime, imagination in full throttle, you can start your search in Niagara-on-the-Lake.
Give it a triple.
SERIOUS MONEY - Shaw Festival
Theatre Review
STAGE: KING OF THIEVES
Theatre Review
Production: King Of Thieves
Company: Stratford Shakespeare Festival of Canada
Playwright: George F. Walker
Director: Jennifer Tarver
Principal Cast: Sean Cullen, Evan Buliung, Laura Condlln, Nora McLellan, Jay Brazeau
Venue: Studio Theatre
Location: Stratford, Ontario, Canada
Run: August 12 to September 18, 2010
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Reviewed By: Kindah Mardam Bey
A charming gangsta rhapsody, King Of Thieves is a newly commissioned production by the Stratford Shakespeare Festival from playwright George F. Walker. Last year, audiences were treated to the likes of Walker’s Zastrozzi, also performed in the Studio Theatre and quite possibly one of the best aspects of last years’ roster. So, it was easy to anticipate King of Thieves, as Walker’s plays are very layered and can have very sophisticated themes. Although King of Thieves may not have been as well orchestrated as some of his other works, it was still a delightful production with some great moments in it.
King of Thieves is a gangster musical comedy right out of the Guys and Dolls line of storytelling. Vinnie, the owner of a speakeasy is a narrator to the stories goings on. Mac is self-proclaimed “King of Thieves” and has a run-in with Brown from the FBI who gives Mac a deal that will erase his record in exchange for organizing a sting that would bring down the mighty bank owners during the depression era. The production is playful, light-hearted and tends to spring from one comedic situation with another with trails of musical numbers along the way. At the deeper level of this Threepenny Opera is a focused look at the balance of power, the ‘haves’ and ‘have-nots’, the black and white lines of ‘good’ versus ‘bad’, and mostly how the lines of all these boundaries seem to become duplicitously smudged into gray areas.
FILM: THE EXPENDABLES
The Expendables
Director: Sylvester Stallone
Stars: Sylvester Stallone, Jason Statham, Jet Li, Mickey Rourke
Genre: Action
Studio: Maple Pictures
Audience Suitability: 14A
Running time: 103 minutes
Release Date: August 13, 2010
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The Expendables, the latest action epic from Maple Pictures, boasts an impressive cast.
Good guys need enemies and the body count heads skyward in a hurry once The Expendables change course. Inside South America a mission comes their way which allows the team to crack an even bigger group of thugs. Showdowns like this were made for Sylvester Stallone who not only stars but also directs and co-wrote this bit of macho nonsense perfectly designed to click with guys. It delivers bigtime. Boys with toys takes on bigger momentum as a who's who of action superstars signs up and clocks in to do battle with the power players of the region.
THE DISAPPEARANCE OF ALICE CREED
The Disappearance of Alice Creed
Director: J Blakeson
Stars: Gemma Arterton
JOAN RIVERS: A Piece Of Work
Joan Rivers: A Piece of Work
Directors: Ricki Stern, Anne Sundberg
Stars: Joan Rivers
EAT PRAY LOVE
Eat Pray Love
Director: Ryan Murphy
Stars: Julia Roberts, Javier Bardem, James Franco
NANNY McPHEE RETURNS
Nanny McPhee Returns
Director: Susanna White
Stars: Emma Thompson, Maggie Gyllenhaal, Rhys Ifans, Maggie Smith, Ewan McGregor
